![]() ![]() If you challenge management or bring your concerns to management even with good intentions and an outlined plan with compromise you’ll be on their radar and pressured to find another job. But sales and construction go to Winstar or Topgolf in addition to the Christmas dinner. But you’ll get some homemade cookies and a nice souvenir with the company logo on it while the entire company enjoys dinner and drinks for Christmas. And no bonuses to help compensate our hard work. Corporate employees are not treated as well as construction or sales, even though we did almost all of sales paperwork. But as it grew so did management’s greediness. The couple met while performing professionally in Texas.I poured my heart into this company and helped make what it is today. She joined the Georgia Ballet as a young adult and after working for a few years in classical ballet, she says she was drawn to exploring contemporary movement. Wynne’s parents were both professional dancers, she says, which meant a childhood of both dance instruction and travel. ![]() Wynne and Sampson spent many years as professional dancers and worked with numerous companies across the country. Community dance classes taught by Community Arts Center Artist in Residence, vagabondance. “It’s very much about listening to the body and getting connected with no judgment or stress involved,” Wynne says.Īnother class called “Contemporary Forms” helps experienced dancers grow their contemporary dance techniques. Photo credit: Manning LloydĪlong with regular performances like Unpaved, vagabondance provides different dance classes at reasonable rates, including one called “Movement for All” that is open to non-dancers of any physical level. ![]() Wynne and Sampson experimenting with new movements. He and Wynne together are shaping the direction of vagabondance, a new concept they launched when they became artists-in-residence at the Community Arts Center. ![]() Sampson still works as a nonprofit management consultant. The appeal of the space, and the chance to create works and classes of their own, enticed the couple to relocate to Baton Rouge. And even communities who build a new space they think works for dance often miss the mark.”Ĭonversely, the Carey Saurage Community Arts Center’s black box space features mirrors, barres, a sound system and a marley floor, which is high quality roll-out vinyl flooring that absorbs shock. “You can’t just walk into any community space and start moving things around for a show,” he says. The building was completed last fall.įinding that kind of space for dancers is rare, Sampson says. Chatelain shared the Arts Council’s vision to turn the Triangle Building into the Carey Saurage Community Arts Center, which would include space for working artists as well as a versatile black box performance space well-equipped for dancers. Sampson’s nonprofit clients in Baton Rouge connected him with the Arts Council and its executive director Renee Chatelain in early 2021. Sampson was also running a business providing brand management consulting to nonprofit clients around the country, including Baton Rouge.īut good dance studio space had become difficult to find in Santa Fe, they say, especially during and after COVID-19. The duo moved to Baton Rouge from Santa Fe, where they were both part of the New Mexico Dance Project. The two shows seat just 25 spectators each and will take place in the Community Arts Center’s black box performance space, where Wynne and Sampson’s vagabondance has been an artist-in-residence since March. “Especially as more people leave home by choice or through circumstances beyond their control.” “It’s revolving around the idea of displacement and the loss of home,” say Wynne, the company’s artistic director. ![]()
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